INFO: Software Cheat Sheets

Final Cut Pro 6: Color Corrector Basics

Cheat Sheet 20081101

Go to Menu

Select a video clip in the Timeline and Double-Click to open it in the Viewer.

Choose the Color Corrector from the Video Filters menu (see below):

Effects - Video Filters - Color Correction - Color Corrector

Final Cut Pro 6: color corrector filter

Arrange your Final Cut Pro windows so you can see what you're doing (see below):

Window - Arrange - Color Correction

Final Cut Pro 6: arrange color corrector windows

If the Color Corrector window is set to Numeric and you don't like using it that way, set it to Visual by clicking the Visual Button (see below):

Final Cut Pro 6: set your window to visual

In your Waveform Monitor, look and see if your black levels are being crushed. There is a line that says Black and if any of the white haze above it is resting on, or, is below that line, then your blacks are being crushed (see below):

Final Cut Pro 6: black levels

Uncrush them by moving the Blacks slider in the Color Corrector and then play with your colors. Adjust your Blacks, Whites, Midtones and Saturation using the slide controls in the Viewer's Color Corrector tab(see below):

Final Cut Pro 6: color corrector slide controllers

Use the eyedropper to click on something in your image that should be white (don't choose a blown-out white) and the rest of your colors will balance to your decision (see below):

Final Cut Pro 6: eyedropper chooses white

To move the center dot on the Balance wheel more easily so you can pull your colors in one direction or the other – hold the Command () key down while moving it (see below):

Final Cut Pro 6: balance wheel center dot

If you don't like what you've done, remember that the white button opposite the eyedropper resets all your colors back to what they were before you started playing with them even if you've already saved (see below):

Final Cut Pro 6: color balance reset button

If you want to continue viewing the Video Scopes while working, Click and Hold the Frame Viewer tab and pull it out so it forms its own Tool Bench window. This way you can more easily compare different clip edits, i.e. the frame you are working with now and the next edit (see below):

Final Cut Pro 6: frame viewer next edit

In the Frame Viewer, the little green and blue squares can be dragged about so you can better compare two different frames to focus on whatever areas you wish to match, i.e. skin tones or clothing color (see below):

Final Cut Pro 6: frame viewer manipulated

Once you've made your color decisions you can select the clip and Copy ( ⌘C, Command-C) and then Paste your new color attributes onto other clips using Option-V and choosing Filters (see below):

Final Cut Pro 6: paste your filter attributes

Any questions?

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